Timecode, clip naming, battery and audio levels are also shown. Privacy Policy. The VariCam LT is Panasonic’s “affordable” large single sensor VariCam, putting the core of the $55,000 VariCam 35 in a more compact package. Learn More. While the EVF and CAM menus are generated internally, the rest of the display, including markers, WFM, focusing aids, and lookaround, is carried in the video signal. Nobody influenced me to write a favorable review nor was any compensation or other consideration provided. Here I’ve set five of them for viewfinding extravagance: false color toggling, expanded focus (focus magnification, which works while recording! DC OUT – 4-pin Lemo for powering camera accessories. For the money you could buy a new RED Weapon Scarlet that would shoot 5K Raw at higher frame rates. 1080p proxy recording. A 256 GB SSD holds about 10 minutes of 10-bit raw or 8 minutes of 12-bit. We interviewed cinematographer, Marek Trakowski, why he chose the Panasonic VariCam LT to shoot the Polish TV series "Drogi Wolności” - “The paths of freedom”. Grades can be sent to the EVF feed (and shown on the control panel in View mode) as well as to the two SDI outputs individually. We’re getting into that sort of territory and I think more people will ultimately use the LT for it. Earlier today the new Panasonic VariCam LT was introduced to the world. The color corrector’s 24 separate vectors give you more in-camera control over individual colors than I’ve ever seen before. Open its door to gain access to P2 Express and SDXC media slots. The P2 card is used for recording full-res clips and can also capture 1080p, 6 Mbps long-GOP proxies. The PLAY button displays the recorded clip list and lets you view metadata, repair damaged clips, sort them according to clip marks and text memos, and play them back. If LiveGrade is too rich for your blood, the free version of DaVinci Resolve 12.5 can export LUTs in the VariCam’s .vlt format. The super 35mm image sensor, which is the same imager as VariCam 35, features wide dynamic range, an expansive colour gamut, and high sensitivity for 4K image acquisition. You could get quicker at changing the LT’s settings with practice, but it’s going to be minutes so that is a consideration. Our specialists can guide you through our comprehensive range of DSLR, 2/3” ENG zooms and Cine Style primes from leading brands including ARRI, Canon, Sony, Cooke, Fujinon and ANGENIEUX. The VariCam’s matrix controls go one step further than most, with separate positive and negative controls for each component mix, so you can for example skew the top half of the vectorscope pattern to the left with the  (B-R)_N control withoutskewing the bottom half to the right at the same time. The camera uses a gold mount battery plate with a D-tap power port. The desqueezed image can be displayed full-width, or cropped to 2.39:1 (since the camera uses the full 17×9 image area for anamorphic, even a 1.33x desqueeze needs slight edge cropping for a 2.39:1 output). The camera balances very nicely on the shoulder; its mass keeps it well planted, and I never felt the handgrip was too far to the side, unlike my experience with the much lighter Sony FS7. The pistol grip is great with the iris control and record button. On-board AVC-Intra and ProRes recording (full-frame and cropped, up to 240fps); uncompressed raw output (full-frame, 1-60fps). I can see some great uses for it; for example if you’re on an EOS lens and the sun starts to creep out, you just dial it back so it’s great for doco work, but for drama you would stop and restart. Please continue to Part 2 for more details…. http://pro-av.panasonic.net/en/varicam/vcs/index.html, on-chip filtration designed for improved color discrimination, VariCam LT and Odyssey Setup: Quick Notes, Production During a Pandemic: Working as a COVID 19 Compliance Officer for a Film Production, Insights and Advice from a COVID-19 Compliance Officer for Pre-production and Production, “Shatter the Ceiling”: A Zoom Gathering of Women Cinematographers, Final Cut Pro and Motion on the new 13″ M1 MacBook Pro, Reviewing The New Blackmagic Design URSA Mini Pro 12K, Reviewing The New 8K Canon R5 Mirrorless Camera, Review: Z Cam E2-M4 MFT Cine Camera, part 3. I can see it being used on the show’s camera channels where the cameras are set so the settings aren’t really changed. It would be good if the only metal switch was the on/off switch so you can turn it off and on with confidence to change the settings. If you want to be at its highest recording resolution, your frame rate allowance is capped 1-30fps. Add the control panel, a 70-200mm f/2.8 lens, and an Odyssey 7Q+ for raw recording, and you’ll get a kit tipping the scales at 24 lbs / 11 kg. Inputs 1 and 2 are ganged together on a 5-pix XLR and have ganged settings: mic vs. line, mic level (-40, -50, or -60 dB), and phantom power. The latest firmware upgrade for Varicam LT (Ver.6.0) now enables the true 4K, Super 35mm cinema camera for live and ‘near live’ multi-cam operation. There’s no better method for evaluating a camera’s performance. The dream camera of course combines the best from Varicam LT and Arri Mini at a Varicam LT price ;) VARICAM LT: Images at 25p UHD/HD still blow me away every day. As on the Alexa, C700, or F55 side panels, these normally trigger top-level functions, but they can also be assigned custom functions for use in a “six user buttons” mode. It’s a positive, breech-lock style mount: you fit the lens to the camera in its upright orientation, then rotate a locking collar counterclockwise to secure the lens. The EVF takes a standard SDI video feed, so you can use any other SDI-equipped EVF if the Panasonic unit isn’t to your liking. Once you’ve set those up the camera offers few surprises, though some secondary settings, like lookaround and anamorphic desqueeze, are mutually exclusive. So you save on the cameras and you save a load more on the lighting – that could be thousands of pounds a day. It can be swiveled to either side or any point in between, and it can tilt to accommodate high or low-mode work. Updated VariCam LT ‘ready for live’ Panasonic has announced a firmware upgrade to its VariCam LT 4K camera that sets the cinema camera up for live and ‘near live’ multi-cam use within concerts, events, TV shows and corporate productions. If it was Raw you’d have more flexibility in the grade, but it is the VariCam look. It’s worth noting that there’s no 4K monitoring output; the SDI feeds are 1080p only (unless you feed 4K raw out to an Odyssey monitor/recorder). Yönetici. It does have its pros and cons, but ultimately I fell in love with the image and usability of the Varicam LT … The Panasonic VariCam Pure outputs RAW files to Codex’s ultra-reliable Capture Drives. I only encountered one annoyance in handheld work—this’ll show you what a petty, sniveling whiner I am—and that’s the sculpted side of the camera, with its slightly protruding media door. All these cameras, the ALEXAs, the REDs, if you break down the settings of what it is you want to record they’re actually incredibly simple, there aren’t that many settings. It shares its sibling’s powerful core specifications and stunning capabilities, from the 4K 60 fps recording and Super 35 MOS sensor to the renowned 14 stops of dynamic range and 240 fps slow motion image capture. But what could this mean, exactly? Having a lightweight camera with lightweight and very fast lenses like the Canon L series f/1.4 and the sensitivity, you could see things like the aurora borealis. The LT has four analog audio inputs and records four tracks of 24-bit 48 kHz audio. 10-bit can be sent out on a single SDI link, allowing frame rates of up to 30fps, or on dual SDI links at up to 60fps. With the vast array of lenses and accessories available, selecting the right one can be daunting. V-709 maps V-Log into a Rec.709-friendly look, with smoothly S-curved shadows and highlights surrounding a crisp, contrasty midrange. The 7Q+ records the signal as DNG (digital negative) files, one file per frame, using one or both SSD slots depending on bit depth and frame rate; it also captures embedded audio to a .WAV file, one file per clip (each clip has its own subdirectory in which all associated files are recorded). With the LT they’re not trying to go fully in to the digital cinema world as they’re trying to keep a handle in the broadcast world. Cinematography & Cameras . RED andAlexa often feel like the only choices at the highest end of the digital cinema market. No matter: the beauty of a floating control panel like this is that it can be placed where you want it, not where the camera designer thinks it should go. View our Privacy Policy. Burak Solmaz. Panasonic Varicam 4K Super 35mm Cinema Camera without Accessories ... Panasonic VariCam LT. Be the first to review this product . I think that’s why they have developed such a good EOS EF mount. It’s a very fast way to adjust the camera while still looking through the finder. I’ve never used a camera that was faster or easier to line up. The right side of the camera has another air inlet towards the front. ISO 5000 is a game changer. The GUI is designed to resemble the cameras’ control panels for familiar and intuitive control. A vertical flip switch is used to cycle through white balance settings or, when held in the up position, to perform a white balance operation. ), here is a quick guide. For the DoP who perhaps doesn’t have access to massive lighting budgets, then the LT would make a massive difference. For a system frequency of 23.98 Hz, here’s the detailed breakdown by frame size and codec: Since I reviewed the camera, Panasonic has come out with a firmware update adding additional codecs: The following Long GOP formats are added. However, if you enable full-time display of the level meters (they’re off by default), there’s no visual indication of which mode the dial is in: you simply have to turn it and see what changes. With these two controls I was able to line up the VariCam LT on a DSC Labs ChromaDuMonde chart pretty much perfectly in only a couple of minutes. Fortunately, I was able to with the … The image above is very clear about where Panasonic intends to position this new mystery camera along their range, comfortably sandwiched between the Varicam LT and the Panasonic GH5. Panasonic VariCam LT. gear review. It does have its pros and cons, but ultimately I fell in love with the image and usability of the Varicam LT … The entire assembly is quite rigid and has a robust feel, as is appropriate when you’re flinging 17+ pounds of camera around with it. In video color modes, you’d use MENU > SCENE FILE SETTINGS instead). More customer reviews of Panasonic AU-VSHL2 Shoulder Pad for VariCam LT can be found here. Same Imager as VariCam 35: The VariCam LT is equipped with the super 35mm single-chip MOS sensor developed especially for the VariCam 35. You can set headroom—the inverse of “reference level”—to 18db or 20dB. The native 5000 … The VariCam LT has a compact and lightweight magnesium body and offers same picture quality specifications as the larger VariCam 35 cinema camera. or to be clean feeds. And yes, there’s another focus hook on top of the handle itself. In all of these Scene Files, you have both standard color matrix controls and a 24-pole color corrector. Furthermore, these key settings interact with each other, and no one is truly the master of all the others. But if you leave it there and start jumping into cars it’s just going to snap off as it sits up like a ‘whale tale’. DV Info‘s Adam Wilt writes up a thorough review of the Panasonic VariCam LT, noting, “The LT … Build quality is superb. I quite enjoyed running ’round with the 70-200mm handheld. It shares the same sensor as the Varicam 35, which features dual native ISO ratings of 800 and 5000. At Panasonic, we believe that technology should move us all forward. Flange depth is adjustable with a screw on the camera body, but my impression is that Panasonic would prefer you don’t tweak it casually. CONTROL PANEL – multipin port for the control panel. I'll let the review speak for itself, but overall, this is a very great camera that beats many competitors in a variety of ways. A HOME button returns to the top-level “side panel” menu; PLAY enters playback mode; TC displays a dedicated timecode menu; INFO shows various system status pages; VIEW flips the display into a mirror of the EVF’s feed. The Cinema VariCam LT features outstanding image quality that allows you to achieve your “VISION”. Press again to pause; turn the knob to jog through the clip. The dial normally controls the iris on EF lenses but can also be switched to adjust audio input levels. VariCams have a unique menu structure and organization, different from other Panasonic cameras and (of course) from cameras from other manufacturers. They thought that their previous users can still get their head around it quite quickly. The camera starts recording instantly when REC is pressed, but when you press REC again, the camera keeps rolling for about a second before it actually stops. I knew this was a camera I would want to review. The manual states, “The camera will not operate properly when the screw in the lens flange back adjustment hole is turned excessively”, and, “Contact your dealer for information about the adjustment method.”. Here’s the trick: the VariCam LT essentially has four such settings, one level deep in the control panel’s home screen: COLOR > MAIN COLOR, SYSTEM > MAIN CODEC, SYSTEM > MAIN PIXEL (e.g., recorded frame size), and SYSTEM > SDI RAW. The camera is unusual in that ther… Infrared capture with user-swappable IR filters. Here, too, you can toggle grading corrections for playback. You can also apply a mask to recorded proxies. A single 256 GB P2 Express card holds about 90 minutes of AVC-Intra4K 422 at 24fps, or 73 minutes at 30fps; 60fps AVC-Intra4K LT will fill the card after 63 minutes. Pressing VIEW turns the screen into a monitor, showing the same information displayed in the EVF. The 7Q+ can be triggered by the camera so that recording commences in sync with internal recordings. When the VariCam is set up for raw output, the recorded color is locked to V-Log. If you’re in the doco world, you pretty much set the camera and go; you don’t really change it, especially if you’re doing synch. That said, if you’re in a drama situation and shooting at night and you want to access that ISO 5000 ISO setting, and you’re only going to make frame rate changes within its frame rate allowance, it’s great. But with a lot of shoots you do jump around quite a bit. It was the same with ALEXA – you used to have to turn off and on – but that’s all changed with the new models. I tested the LT-PROEX-B kit which bundles the body with the sliding shoulder mount, articulated control grip, EF and PL mounts, Panasonic EVF, two 256 GB P2 Express cards, and a USB 3.0 P2 card reader. as needed to make the package hang together. I used a Convergent Design Odyssey 7Q+ for raw recording, and added a few “tinkertoys” (15mm rods, articulating arms, follow-focus, etc.) When raw output isn’t enabled, you can select gamma-coded recording, using one of five customizable Scene Files based on five basic looks. Read our privacy policy here. If you’ve set one of the main-body softkeys to SIX USER FUNCTIONS, pressing that button flips the control panel into, well, six user functions, with the six buttons themselves customizable. There’s a 12-pin terminal at the bottom for either a broadcast-style lens connector, or for the operator’s grip and its controls. The super 35mm image sensor, which is the same imager as VariCam 35, features wide dynamic range, an expansive color gamut, and high sensitivity for 4K image acquisition. An angled panel holds the camera’s I/O ports: Aft of that is the exhaust grille for the camera’s cooling system. One benefit of the active EF mount is that EF lenses with optical image stabilization work in stabilized mode. The grip is secured with its own rosette, so it too can be angled to taste. You Might Also Like. If you’re in the TV world it’s really useful, but in the film world you never really open up during a shot anyway. Drop the resolution and you get 1-50fps and so on. I am such a delicate snowflake, aren’t I? Made of a special water-resistant fabric with a soft lining, this flexible cover can be used for the VariCam LT. And that’s just the gateway to a complete dailies, review and archiving system with Codex’s Production Suite. LAN – an RJ-45 socket for 100BaseT Ethernet, with a flip-open rubber door. Simply put, the Varicam LT is a blast to use, and the more time a user invests digging into the inner workings of the camera, the more they’re rewarded for their effort. It’s not as bad as a RED ONE (90 second boot time), but even so, it gets a bit tedious (tip: stay in the menus and change as many things as you need before rebooting; it saves time). Filmmakers go-to destination for pre-production, production & post production equipment! The VariCam LT has a single P2 Express slot—the VariCam 35 has two—so you don’t have the option of card-to-card relay recording, or of recording one log clip and a parallel full-quality clip with a LUT applied. The Varicam LT is a large lump: 7.25” wide by 9.75” long (184 x 247mm). It comes standard with a positive locking EF mount with full electronic control and has an optional, user-changeable PL mount with both LDS and /i data pins. Finally, film´s […] Q & A's. Since the Varicam LT camera has a Super 35 sensor, the image quality exceeds standard 2/3″ ENG cameras when used in a live environment. With the LT I mainly went with the EF lenses, because that’s where I think it will be winning. Panasonic - Varicam LT (id - 214472) - TV-BAY KITPLUS Broadcast Equipment Sale, Film Equipment Sale Video Equipment Our specialists can guide you through our comprehensive range of DSLR, 2/3” ENG zooms and Cine Style primes from leading brands including ARRI, Canon, Sony, Cooke, Fujinon and ANGENIEUX. The kit lists for $27,600 but sells for $23,100 with Panasonic’s rebate. The body alone is about 6” tall (143mm); add the handle and it’s a bit over 9” tall (231mm). It would be nice to have a bracket so it could sit on the right-hand side of the camera that you don’t normally touch so it could feel more streamline. PAN-AU-V35LT1. As it turns out Panasonic went after a different sector of the market and the Varicam LT is competing directly on price against cameras like the Sony F5 and Canon C300 Mark II. I have lots of handheld clips that end with a sudden rolling downward tilt, as I pulled the camera off my shoulder immediately after pressing REC to stop recording. Everything about the Varicam LT just screams "professional." Panasonic needs to address this with soft- and/or hardware upgrades. This pricing puts it in roughly the same league as the Sony F5 and F55, Canon C700, or RED Scarlet, depending on the various options you bundle with each. The camera ships with a mount for Canon EF lenses; a PL mount is available too and is bundled in many of the kit configurations. It detaches with the flip of a locking lever for handheld use or relocation elsewhere. A single-operator cinema camera that brings the quality of Panasonic’s high-end Varicam 35 (introduced last year) into a more compact and affordable package. Tables with all the permutations start at page 40 in the  operating manual, if you’re interested. It offers 4K (4096 x 2160) and UHD (3840 x 2160) resolution, and boasts high sensitivity, low noise, wide dynamic range and cinematic depth of field. More than once I considered slinging a sound bag ‘round my neck just so I’d have the responsive realtime control my Sound Devices 302 mixer affords, and not worry about what mode my control dials were set to. The VariCam LT uses the same Super35mm-sized 4K MOS sensor as the VariCam 35, with a dual-ISO readout, 14+ stops of dynamic range, and improved color discrimination. Proxies can be recorded on the P2 card or on the separate SDHC/SDXC card; a 64 GB card will hold 655 minutes of material. … Panasonic AU-VSHL2 Shoulder Pad for VariCam LT Review. The raw files are decodable today in Resolve 12.5, and either now or coming soon in a variety of other apps as detailed in this press release. And that’s just the gateway to a complete dailies, review and archiving system with Codex’s Production Suite. For those that don't want to watch the whole thing (don't worry, I'd understand! The Panasonic VariCam LT is the smaller, more compact and manoeuvrable brother of the legendary Panasonic VariCam 35. All mic inputs have individually selectable low-cut filters to reduce handling noise and rumble, and limiters to catch peaks. Review: Panasonic Varicam LT Digital Cinema Camera. Panasonic VARICAM LT-PRO PACKAGE Includes Varicam LT Camera, AU-VCVF20 OLED Viewfinder, AU-VSHL2 Shoulder mount, AU-VGRP1 Grip, AU-VMPL1 PL Mount, 2 256GB P2 cards, Card Reader Panasonic's Cinema VariCam LT 4K S35 is a single Super 35-sized sensor digital cinema camera with a lightweight magnesium body and interchangeable lens mount. For the doco world, one of the biggest challenges we’ve always had is sequences that go in to the night and very darkly lit atmospheric locations where you can’t take a big lighting rig. Another big, fat REC button allows camera triggering; MENU and EXIT buttons provide access to setup menu. The cine-style shoulder mount is set up, front and rear, for LWS 15mm rods. The mounts are field-swappable, requiring a few minutes with a 1.5mm hex key to loosen two locking screws. ), in color focus assist (colored peaking), square focus assist (focus squares), and monochrome focus assist to turn the EVF display black and white. I can see it as a changeover camera for people who have a 2/3in VariCam or one of the other Panasonic cameras and want to go 4K. Niyazi Nişancık. This website uses cookies to ensure you get the best experience on our website. It does have its pros and cons, but ultimately I fell in love with the image and usability of the Panasonic Varicam LT right away. Comprehensive grading control in “cine” mode (V-Log color) allowing use of LUTs and CDLs (see below). If I was doing a film that had a large night requirement or a large lighting requirement, with this, instead of having 18K HMIs, you could have 2.5s or 4K. Panasonic Announces VariCam LT 4K Super 35 Cinema Camcorder Erik Naso • February 10, 2016 • 0 Comments I had a feeling this wasn’t going to be a mid priced cinema camera but here is the details on the NEW Panasonic VariCam LT. The sensitivity pushes it above other cameras so if you’re doing something at dusk or in dark places this is the camera. If you’re wondering why you can’t tweak chroma or knee, check MAIN COLOR to make sure you’re in a mode that allows such tweaks, but also check SDI RAW, because raw output forces MAIN COLOR to V-Log, where no tweaks are allowed. Panasonic VariCam LT Features. 4K. The PL mount has both Cooke /i and Zeiss LDS data pins (be sure to dive into the menus and select the data protocol appropriately). SKU. Instead, a tethered control panel with a 3.5” screen and a 3’ cable (0.9 m) clips to a tilt-and-swivel mount atop the body. Panasonic’s physical controls are well done: buttons are large, need firm but not excessive pressures, are easily findable by touch, and many are illuminated for use on dark stages. Yes, there’s a washed-out, weedy little 80×45-pixel icon, backwards-compatible with icons from the earliest days of P2 cameras! In the initial firmware the only way to tweak levels was through the menus; the camera was clearly designed with the idea that a sound recordist would be feeding pre-leveled audio to the LT, It’s perfectly fine in that workflow, but for a single-person crew it’s far from ideal. While the camera records four channels of audio and has a full complement of audio configuration and adjustment settings in the menu system, it has no dedicated physical controls for audio. Thus you can bolt the camera to a tripod without the shoulder mount, but with the dovetail plate fitted: The shoulder mount itself docks into a standard broadcast quick-release plate: The long dovetail plate and its mating channel in the shoulder mount allow considerable flexibility in camera positioning: Rosettes allow the control grip on its arm to be attached at any angle. Broadcast looks offer a more conventional approach with a video-style knee to handle highlights instead of a defined (and unchangeable) S-curve compression. You may unsubscribe at any time, and we will not sell or distribute your email address to any third parties. Cheapest sale price of Panasonic AU-VSHL2 Shoulder Pad for VariCam LT when reviewed was £ 1,449.00. These four—um, five—settings in combination determine what the camera will let you do. 12-bit requires a dual-link feed and is limited to the native frame rate of the current system frequency. Inputs 3 and 4 are on separate 3-pin XLRs and have individual settings. It comes down to whether you have the projects to assign the camera to. A legacy of mobility innovation, optimized for now Learn More . Yes, Sony has the F65, but aside from the occasional outlier project (Billy Lynn, Cafe Society) and films from Sony studio… When you look at a vectorscope, matrix controls generally let you squash, stretch, and skew the pattern symmetrically around the center of the ‘scope. So if I wanted to be at ISO 5000 and 25fps because I wanted the best resolution with the highest sensitivity but then I wanted to do a shot at 100fps, for example, I’d have to do all these setting changes and then turn the camera off and back on, wait for it to boot up and only then would it make the changes.
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